Thursday, March 18, 2010
April 15th Just Got a Whole Lot Easier
Article By,
Larry "The Birdman" Arenas

However, this year I, in conjunction with Senator Harry Reid, plan on making things a hell of a lot easier for the average American.
That’s right, according to Harry Reid taxes are voluntary. So in the coming weeks as you fill out your tax forms, feel free to deduct the full amount of your income. In that little box that questions the reason for such a large deduction, simply write in “Harry Reid Voluntary Tax Rule”. (See disclaimer at the bottom of the page).
If this wasn’t a video of a high powered government official in charge of millions of dollars and millions of lives, it might actually be comical. Regardless of whether or not you approve of the welfare programs being discussed in the video, you should be able to acknowledge Reid’s thick as a brick, blatant ignorance, or his flat out lie. According to Reid (for those too lazy to watch the video), because the government allows us to fill out our own tax forms, we are volunteering when we fill out said forms. Reid argues that in other countries, taxes are automatically deducted from all profits, thus ignoring two things. 1) It is impossible for even the most intrusive government (short of one based on Orwell’s 1984) to learn of the average private transaction, let alone properly tax it. 2) Companies often withhold wages (Google Adsense) until a W2 (or other appropriate tax form) is filed out. As Jan Helfen points out, the government is graciously giving the option of prison or payment. Again you may agree with the current tax system and believe that taxes are what keep our country running. However to claim that we can choose not pay taxes is absurd. Just because you can sit on this portion of your income for eleven months before it is reposed, doesn’t make it volunteer work or charity when you finally pay.
Disclaimer: Not paying taxes or deducted 100% of your income via the Harry Reid rule or any of its variants, will result in an audit, prison, fine or other government sanction. If you choose to not file taxes be aware you are practicing civil disobedience and you will pay the price (and possibly reap the rewards of drawing attention to your belief system).
If you were interested in this article may I also suggest this video: Watch as Nancy Pelosi tries to explain why she is able to pay staffers below minimum wage, but someone desperate for a job at McDonalds (or any other low-skilled job) in tough economic times cannot offer their labor cheaper in order secure one of the limited number of jobs available.
As always feel free to leave comments at our Formspring
Sunday, March 14, 2010
Alternative Lullaby Series Rocks Youth Straight to the Therapist
Article By,
Larry "The Birdman" Arenas
As children we were all bombarded with lullabies to sooth us to sleep. Yet, despite a solid two straight years of listening to this genre few if any of us still follow its major artists. So why have we all abounded a sound that was so integral to us in our developmental years? Most would say because the style; the instruments, the beats, the harmony, and the lyrics are designed exclusively for babies. However, the aforementioned “most” would be wrong. The real reason for the lack of excitement about up and coming lullaby artists, is that they all play the same exact songs. Such a business plan has hindered any lullaby artist from cracking the charts or having any long term success. After two years of hearing nothing but “Rock –A-Bye Baby” , “Twinkle Twinkle Little Star”, and “Hush, Little Baby” even the most simple minded are likely to get bored with and despise a song no matter how they change it up, what artists sings it or what instruments they use. Fortunately for music lovers everywhere some labels have realized that there is an adult lullaby market, and thus a reason to rework their traditional style.
Ironically the most thriving of these emerging Lullaby labels, takes its name directly from the often overplayed Rock-A-Bye Baby song. Keeping with tradition of the great lullaby artists of the past, Rockabye Baby utilizes key instrumentals, such as xylophones, glockenspiels, wind chimes, triangles, and light woodwinds, , all the while incorporating some ground-breaking uses of organs, mellotrons and keyboard. That being said, artists signed to the Rockabye Baby label are no more original in terms of creating songs. While the label certainly sent shockwaves through the music world with its recent innovative releases, ETS Daily cannot ignore the fact that all the artists signed are simply cover bands. Among recent albums are Lullaby Renditions of Queen,, Metallica, Radiohead, The Cure, Pink Floyd, Smashing Pumpkins, Led Zeppelin, Guns N’ Roses, U2, The Rolling Stones, The Beatles, Bob Marley, Coldplay, Green Day, The Eagles, No Doubt, and Journey, however for time’s sake, I will simply cover “Lullaby Renditions of Nirvana”. Released in 2006, the album covers some of Nirvana’s biggest hits making , many of them hits of their own. The album starts with “In Bloom”, although the introduction is a bit off from the original, it is still a masterpiece symphonic agreement. Like all the songs on the label, the song is nearly identical note wise, and is merely stripped of its lyrics. Stripping the song of its lyrics was certainly a controversial move, but it was a logical one. Lyrically Nirvana songs rarely make sense and often deal with graphic details likely to frighten young children. That last point is an interesting one, considering instrumentally Rockabye baby had no such qualms regarding upsetting young listeners. Nearly every song on the album includes a deep piano/organ section which gives off pretty horrifying vibe, the best example comes in around :30 second of “Come As You Are”.
Admittedly, the first thing that comes to mind when hearing these eerie instrumental, is a demented circus. In my head I ice cream truck being driven by some sort of rouge circus crew, blaring music in an attempt to hypnotize children to do something undoubtedly evil (as in Twisted Metal’s Sweet Tooth).
However, this is by no means a criticism; in fact I commend Rockabye Baby for revitalizing a stale genera. More importantly, I thank them for realizing that it isn’t just infants who are in despite need of sleep, and that Adults too can utilize the relaxing vibes given off by the soothing yet eerie sounds of lullaby Lullaby isn’t music designed for newborns or infants, its merely a genre and like any genre some artist are designed for adults, some for children and some for all ages. . I am fairly certain playing this music for a child would cause vivid nightmares; however this is doesn’t mean Rockabye Baby should stop with these wondrous pieces of art. On the contrary I would love for them to cover all of Nirvana’s songs in this style and throw away any inhabitations about isolating younger listeners. As I said before, Rockabye Baby has a good business plan, and as such they heeded my advice before it was given. They have already covered such adult themed musicians as Tool, Nine Inch Nails, and plan on doing covers of Black Sabbath and Kayne West (Golddigger?). They have even done a cover of Guns N Roses’ Mr. Brownstone, granted there are no lyrics in their version, but it is still a song with deep ties to drug addiction (brownstone is street for heroin)and is certainly not designed for children. Such risqué moves have earned Rockabye Baby support from Metallica guitarist Kirk Hammett , celebrities Matthew McConaughey, Kate Hudson, and Denise Richard (once dated Bon Jovi Guitarist Richie Sambora).
Before I put my own stamp of approval on the this CD, I feel compelled to issue one complaint about it. Anyone who has heard of Nirvana in anyway shape or form has heard of “Smells Like Teen Spirit”. Yet somehow the creators of this cd have managed to mess up the famous and distorted opening rift. While the song certainly falls back into sync with the original after about the 30 second mark, it is extremely disheartening that they didn’t use some alternative instrument to achieve a more accurate sound. That being said the song really starts to come into its own around the 50 second mark and I suggest you give it a listen and come to your own judgment. Personally I enjoyed the album, and made it part of my collection. It’s helped me get through many a sleepless nights and I hope it can do the same for you.
I leave you with this Earlier I made a comment about these lullabies causing nightmares, while if you thought that was made try falling asleep to this.
Ironically the most thriving of these emerging Lullaby labels, takes its name directly from the often overplayed Rock-A-Bye Baby song. Keeping with tradition of the great lullaby artists of the past, Rockabye Baby utilizes key instrumentals, such as xylophones, glockenspiels, wind chimes, triangles, and light woodwinds, , all the while incorporating some ground-breaking uses of organs, mellotrons and keyboard. That being said, artists signed to the Rockabye Baby label are no more original in terms of creating songs. While the label certainly sent shockwaves through the music world with its recent innovative releases, ETS Daily cannot ignore the fact that all the artists signed are simply cover bands. Among recent albums are Lullaby Renditions of Queen,, Metallica, Radiohead, The Cure, Pink Floyd, Smashing Pumpkins, Led Zeppelin, Guns N’ Roses, U2, The Rolling Stones, The Beatles, Bob Marley, Coldplay, Green Day, The Eagles, No Doubt, and Journey, however for time’s sake, I will simply cover “Lullaby Renditions of Nirvana”. Released in 2006, the album covers some of Nirvana’s biggest hits making , many of them hits of their own. The album starts with “In Bloom”, although the introduction is a bit off from the original, it is still a masterpiece symphonic agreement. Like all the songs on the label, the song is nearly identical note wise, and is merely stripped of its lyrics. Stripping the song of its lyrics was certainly a controversial move, but it was a logical one. Lyrically Nirvana songs rarely make sense and often deal with graphic details likely to frighten young children. That last point is an interesting one, considering instrumentally Rockabye baby had no such qualms regarding upsetting young listeners. Nearly every song on the album includes a deep piano/organ section which gives off pretty horrifying vibe, the best example comes in around :30 second of “Come As You Are”.
Admittedly, the first thing that comes to mind when hearing these eerie instrumental, is a demented circus. In my head I ice cream truck being driven by some sort of rouge circus crew, blaring music in an attempt to hypnotize children to do something undoubtedly evil (as in Twisted Metal’s Sweet Tooth).
However, this is by no means a criticism; in fact I commend Rockabye Baby for revitalizing a stale genera. More importantly, I thank them for realizing that it isn’t just infants who are in despite need of sleep, and that Adults too can utilize the relaxing vibes given off by the soothing yet eerie sounds of lullaby Lullaby isn’t music designed for newborns or infants, its merely a genre and like any genre some artist are designed for adults, some for children and some for all ages. . I am fairly certain playing this music for a child would cause vivid nightmares; however this is doesn’t mean Rockabye Baby should stop with these wondrous pieces of art. On the contrary I would love for them to cover all of Nirvana’s songs in this style and throw away any inhabitations about isolating younger listeners. As I said before, Rockabye Baby has a good business plan, and as such they heeded my advice before it was given. They have already covered such adult themed musicians as Tool, Nine Inch Nails, and plan on doing covers of Black Sabbath and Kayne West (Golddigger?). They have even done a cover of Guns N Roses’ Mr. Brownstone, granted there are no lyrics in their version, but it is still a song with deep ties to drug addiction (brownstone is street for heroin)and is certainly not designed for children. Such risqué moves have earned Rockabye Baby support from Metallica guitarist Kirk Hammett , celebrities Matthew McConaughey, Kate Hudson, and Denise Richard (once dated Bon Jovi Guitarist Richie Sambora).
Before I put my own stamp of approval on the this CD, I feel compelled to issue one complaint about it. Anyone who has heard of Nirvana in anyway shape or form has heard of “Smells Like Teen Spirit”. Yet somehow the creators of this cd have managed to mess up the famous and distorted opening rift. While the song certainly falls back into sync with the original after about the 30 second mark, it is extremely disheartening that they didn’t use some alternative instrument to achieve a more accurate sound. That being said the song really starts to come into its own around the 50 second mark and I suggest you give it a listen and come to your own judgment. Personally I enjoyed the album, and made it part of my collection. It’s helped me get through many a sleepless nights and I hope it can do the same for you.
I leave you with this Earlier I made a comment about these lullabies causing nightmares, while if you thought that was made try falling asleep to this.
As always feel free to leave comments at our Formspring
Friday, March 12, 2010
Ray Charles: Generations Blindness to One Man's Insults
Article By,
Larry "The Birdman" Arenas
If life was like a game of Family Feud and Ray Charles was the topic the answers would likely look like this. 2) Piano 3) Sunglasses 4) Jamie Foxx Bio-Pic 5) Musical pioneer. Number one would likely be cute little old blind man, unless of course everyone in the survey pool was like me, than survey would likely say “antagonizer”. For those of you who have seen the movie Ray, this likely isn’t all that far-fetched as you already knew of Ray’s checkered past such as his Heroin addiction. But for the benefit of those who still view Ray as an innocent old man allow me to explain.
As much as Ray is known for his “banging and swaying” style on the piano today, early on in his career he was known for something entirely different; disrespecting the Church. When I first learned of this shocking de velopment it made sense, perhaps Ray was bitter and saw this as an attack on God for leaving him blind. However I was wrong, as Ray was not born blind but, was rather blinded because of an eye infection from contaminated water that was left untreated. So it is unlikely that Ray had any qualms with God. No, Ray simply loved pushing the envelope.
Ray , unlike modern day trouble makers, who merely spew out offensive SoundBits in order to gain free publicity. Ray was talented and his talent gained him all the attention he wanted, he caused controversy, because he legitimately enjoyed doing so. Even more impressive, Charles didn’t have to just say offensive things, he actually worked them into the structure of his music, thus killing two birds with one stone.
Example 1) “This Little Girl of Mine”: In this piece Ray strips the famous gospel hymn “This Little Light of Mine”. Normally this song tells a story of one who finds faith in God and decides to share this new found faith with the world. Doing so by shining the light of God on them in hopes they too will see the light. Ray however makes it a tale of a man whose found a woman who “loves him even when he’s bad”, calls him up late at night for dates (booty calls) and stops traffic with her scantily clad body.
Example 2) “What’d I Say Part 2”: Although this song isn’t based on any particular hymn, it is once again an example of Ray taking the gospel hymn style and secularizing it. Unlike Ray’s other songs, this song was not preplanned, but rather was born out of Ray’s need to fill the last few minutes of a live set. To do so Ray and The Raelettes improvised using the call and response method often employed by African-American churches. Except, rather than cries of “Praise Jesus” followed by howls of “hallelujah” or “amen”, there was the moans and very sexual groans of Ray and the Raelettes. This isn’t just the opinion of one eccentric write either, on the subject of this song Ray had this to say. “I'm not one to interpret my own songs, but if you can't figure out 'What I Say', then something's wrong. Either that, or you're not accustomed to the sweet sounds of love.” Fans agreed as part 2 was boycotted nationwide, while part 1 was played even on white radio stations (controversy creates cash). Eventually, this became Ray’s first album to go gold (sex sells). Lyrics starts around the 1:35, while the 2:00 features one of the first instances of an artist talking about a women shaking her ass and part 2 starts around 4:30, but feel free to listen to the whole thing, because it’s great.
3) “I’ve Got a Woman”: This song once again utilizes both the beat and lyrics of a famous gospel hymn, this time drawing from “It Must Be Jesus” and “My Jesus is All the World to Me”. The initial hymn was about how Jesus is the center of our lives and how he gives us the strength to do all things. Charles’ version however spoke of a sugar momma, who not only provided Ray with money to do nothing all day, but also provided him with “lovin’” both day and night. Furthermore, mainly will recognize the style as a model for Kayne Weste song “Gold-digger” , which ironically deals with the reverse topic. Although Kayne is often chastised as a scum-bag extraordinaire, in this instance he did the right thing and gave Ray posthumous credit for writing the song (although this may have just been at the urging of his legal team).
Honorable Mention: “Let’s Go Get Stoned”: Deals with Ray’s recent stint in rehab and the lure drugs still possess.
If I haven’t destroyed Ray’s pristine image yet, I leave you with this, according to Jerry Wexler who often worked with Ray, "We didn't know shit about making records, but we were having fun".1 Cheers to Ray and company for their complete lack of professionalism and ability to have fun at the expense of others. If only others would be willing to drop the overly PC (politically correct) attitude our society has developed and live for themselves.
As always feel free to drop a comment at our formspring
Sources: 1
As much as Ray is known for his “banging and swaying” style on the piano today, early on in his career he was known for something entirely different; disrespecting the Church. When I first learned of this shocking de velopment it made sense, perhaps Ray was bitter and saw this as an attack on God for leaving him blind. However I was wrong, as Ray was not born blind but, was rather blinded because of an eye infection from contaminated water that was left untreated. So it is unlikely that Ray had any qualms with God. No, Ray simply loved pushing the envelope.
Ray , unlike modern day trouble makers, who merely spew out offensive SoundBits in order to gain free publicity. Ray was talented and his talent gained him all the attention he wanted, he caused controversy, because he legitimately enjoyed doing so. Even more impressive, Charles didn’t have to just say offensive things, he actually worked them into the structure of his music, thus killing two birds with one stone.
Example 1) “This Little Girl of Mine”: In this piece Ray strips the famous gospel hymn “This Little Light of Mine”. Normally this song tells a story of one who finds faith in God and decides to share this new found faith with the world. Doing so by shining the light of God on them in hopes they too will see the light. Ray however makes it a tale of a man whose found a woman who “loves him even when he’s bad”, calls him up late at night for dates (booty calls) and stops traffic with her scantily clad body.
Example 2) “What’d I Say Part 2”: Although this song isn’t based on any particular hymn, it is once again an example of Ray taking the gospel hymn style and secularizing it. Unlike Ray’s other songs, this song was not preplanned, but rather was born out of Ray’s need to fill the last few minutes of a live set. To do so Ray and The Raelettes improvised using the call and response method often employed by African-American churches. Except, rather than cries of “Praise Jesus” followed by howls of “hallelujah” or “amen”, there was the moans and very sexual groans of Ray and the Raelettes. This isn’t just the opinion of one eccentric write either, on the subject of this song Ray had this to say. “I'm not one to interpret my own songs, but if you can't figure out 'What I Say', then something's wrong. Either that, or you're not accustomed to the sweet sounds of love.” Fans agreed as part 2 was boycotted nationwide, while part 1 was played even on white radio stations (controversy creates cash). Eventually, this became Ray’s first album to go gold (sex sells). Lyrics starts around the 1:35, while the 2:00 features one of the first instances of an artist talking about a women shaking her ass and part 2 starts around 4:30, but feel free to listen to the whole thing, because it’s great.
3) “I’ve Got a Woman”: This song once again utilizes both the beat and lyrics of a famous gospel hymn, this time drawing from “It Must Be Jesus” and “My Jesus is All the World to Me”. The initial hymn was about how Jesus is the center of our lives and how he gives us the strength to do all things. Charles’ version however spoke of a sugar momma, who not only provided Ray with money to do nothing all day, but also provided him with “lovin’” both day and night. Furthermore, mainly will recognize the style as a model for Kayne Weste song “Gold-digger” , which ironically deals with the reverse topic. Although Kayne is often chastised as a scum-bag extraordinaire, in this instance he did the right thing and gave Ray posthumous credit for writing the song (although this may have just been at the urging of his legal team).
Honorable Mention: “Let’s Go Get Stoned”: Deals with Ray’s recent stint in rehab and the lure drugs still possess.
If I haven’t destroyed Ray’s pristine image yet, I leave you with this, according to Jerry Wexler who often worked with Ray, "We didn't know shit about making records, but we were having fun".1 Cheers to Ray and company for their complete lack of professionalism and ability to have fun at the expense of others. If only others would be willing to drop the overly PC (politically correct) attitude our society has developed and live for themselves.
As always feel free to drop a comment at our formspring
Sources: 1
New York Soda Tax Claims to Sweeten Up Life
Article By,
Larry "The Birdman" Arenas
For the past few weeks everyone in the tri-state area has heard about the impending New York City soda tax, however few if any know much about it. Surely you have heard the government claim that this is a direct assault on childhood obesity. That the low cost of soda in comparison to healthier yet more expensive 100% juice alternatives, leads the poor to be disproportionally overweight, a strong juxtaposition to the times of King Louis VI when it was the poor who wore bare bones not rich celebrities. While these claims make sense to some, to those who critically think you will see a plethora of holes in this logic. As a one time cashier at a food store I will admit that some unhealthy meals such as high fat tv diners are certainly more affordable than the more expensive meals which include requirements from all 5 food groups.

To quote Larry David on a recent episode of Marriage Ref, "These people are moronic,I don't want to help them." This isn't just how I feel, it is the feeling of the government too, albeit in a more roundabout way. So why is the government getting involved if they don't really care? Some might say that the government has a deal with companies who make products such as Juicy Juice, others still might claim the government is planning some world wide beauty pageant and is preparing by getting all Americans to look their best. While certainly anything (bad) is possible when the government is involved, these outcomes are highly unlikely. What is likely however is a preemptive strike, the government preparing for a future involving a public health care option. And for the first time in a long time the government is actually seeking to be efficient and reduce costs, and is doing so by trying to create a healthier America. Less obesity means less costs for the government, a healthy and happy life for all Americans was never once contemplated. It's a shame that, that a country that once sought to purge the world of fascism, has turned to it itself.

Always the optimist, I can see some positive in this oppressive new tax. 1) an expanded black market for soda will spur individual creativity, and most likely lead to sodas that not only ignore current regulations regarding sugar content and calories, but also expand upon the current list of flavors. Perhaps well see some new innovative flavors spring up in your friends basement, cotton candy, ice cream or even alcohol based sodas. 2) Open up an underground foreign soda market. Like one this would reintroduce Americans to some flavors we have become out of touch with, such as the coffee based Coke Blak. 3) Failure. The most alluring of all the possibilities is failure. As said before a black market will arise, the poor will grow poorer and the fat fatter as they continue to consume soda, stores will refuse to collect the tax, and just as was the case with alcoholic prohibition more soda will be consumed than every before.
If you live in an area effected by this tax, or even if you don't, I urge you to write, call, and otherwise bombard you local representatives with emails. Protest the tax, suggest alternatives, send this article, and tell them that if they feel like regulating anything they should start by regulating themselves.
As always feel free to leave comments at our Formspring
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